[2] He apparently received his early artistic training in a goldsmith's workshop,[citation needed] and then worked briefly in the studio of Lorenzo Ghiberti.[3]. Very little else about Donatello’s private affairs for the rest of his life is known and, like many other great Renaissance artists, we must come to know the man through his works. His primary signature weapon are his (2) effective bō staffs. The garments completely hide the body of the figure, but Donatello successfully conveyed the impression of harmonious organic structure beneath the drapery. However, some say that Donatello realized his artistic nature while working in one of the goldsmith's shops. Italian Renaissance artist Michelangelo created the 'David' and 'Pieta' sculptures and the Sistine Chapel and 'Last Judgment' paintings. The sculptor was particularly interested in giving his art a sense of perspective. In 1435, he executed the Annunciation for the Cavalcanti altar in Santa Croce, inspired by 14th-century iconography, and in 1437–1443, he worked in the Old Sacristy of the San Lorenzo in Florence, on two doors and lunettes portraying saints, as well as eight stucco tondoes. During this period—1446–50—Donatello also executed four extremely important reliefs with scenes from the life of St. Anthony for the high altar. In 1443, Donatello was called to Padua by the heirs of the famous condottiero Erasmo da Narni (better known as the Gattamelata, or "Honey-Cat"), who had died that year. Donatello was apprenticed to Ghiberti, and in 1403, at the age of 17, Donatello was working for the master on the bronze reliefs of the First Doors of the Baptistery. It is not to be confused with his stone David, with clothes, of about 1408–09. Around 1425, Donatello entered into a partnership with Italian sculptor and architect Michelozzo, who also studied with Lorenzo Ghiberti. This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. "Donatello". Donatello seemingly demanded a measure of artistic freedom. The c. 1456 CE Mary Magdalene shows an aged figure and is indicative of Donatello’s preoccupation in his later years with capturing dynamic poses but leaving the sculpture with a rough finish. Our editors will review what you’ve submitted and determine whether to revise the article. The Ancient History Encyclopedia logo is a registered EU trademark. Upon acquiring such great fame and popularity, he partnered up with Michelozzo. Donatello was soon working in his own right and was commissioned to create sculptures for the exterior of Florence’s cathedral. Donatello’s earliest work of which there is certain knowledge, a marble statue of David, shows an artistic debt to Ghiberti, who was then the leading Florentine exponent of International Gothic, a style of graceful, softly curved lines strongly influenced by northern European art. Not having much cash despite his talents, Donatello (at least in his tax returns) indicated that he had to share a house and maintain his aged mother, widowed sister, and crippled nephew. Ancient History Encyclopedia. Sienna cathedral received a figure of St. John the Baptist, while a gilded bronze representation of Judith and Holofernes (although this may be an earlier work) once stood in the Piazza della Signoria of Florence but is now in the Palazzo Vecchio. This inglorious beginning happened in Pistoia in 1401 CE. In May 1434, he signed a contract for the marble pulpit on the facade of Prato cathedral, the last project executed in collaboration with Michelozzo. Encyclopædia Britannica. Mary Magdalene by Donatelloby Sailko (CC BY-SA). The others were named Leonardo and Raffaello. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. It was commissioned by Cosimo de' Medici for the courtyard of his Palazzo Medici, but its date remains the subject of debate. In May 1434, he signed a contract for the marble pulpit on the facade of Prato cathedral, the last project executed in collaboration with Michelozzo. For the Teenage Mutant Ninja Turtle, see, funerary monument of Cardinal Rainaldo Brancacci, "Collections and restoration of antiquities – Ancient Monuments", "Studioso scopre Crocifisso inedito di Donatello", "Crocifisso di Donatello nella chiesa di Legnaia, la storia", Lives of the Most Excellent Painters, Sculptors, and Architects, Donatello at The Metropolitan Museum of Art, https://en.wikipedia.org/w/index.php?title=Donatello&oldid=985028163, Creative Commons Attribution-ShareAlike License. Some have perceived the David as having homoerotic qualities, and have argued that this reflected the artist's own orientation. In 1403, he apprenticed with Florence metalsmith and sculptor Lorenzo Ghiberti. Additionally, by moving between Rome, Florence, and Padua, Donatello spread new ideas on perspective construction to fellow artists such as Andrea Mantegna (c. 1431-1506 CE). He was by then with his friend Filippo Brunelleschi. Donatello Born Donato di Niccolò di Betto Bardi c. 1386 Florence, Italy Died Dec. 13 1466 (at age 80) Florence, Italy Nationality Florentine, Italian Education Lorenzo Ghiberti Movement Early Renaissance Field Sculpture Famous Artwork by Donatello Saint Mark Zuccone The Feast of Herod David Equestrian statue of Gattamelata Judith and Holofernes There are many artists The work reflects the influences of sculptors of the time. Donatello was the son of Niccolò di Betto Bardi, who was a member of the Florentine Arte della Lana, and was born in Florence, probably in the year 1386. By then he was under the apprenticeship of Lorenzo Ghiberti. However, little detail is known with certainty about his private life, and no mention of his sexuality has been found in the Florentine archives (in terms of denunciations)[10] albeit which during this period are incomplete.[11].

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