Los bailarines usan luego estas mismas coreografias en el escenario, pero hay una ventaja fundamental en esto: las coreografías individuales solo pueden ser desarrollladas en el escenario mediante la repetición, el agotamiento y la transferencia a los otros bailarines. At first, it appeared to be an act of defiance, which caused her husband's anger to rise even more. Inspiriert von der Tanzwut von Straßburg schuf die in München arbeitende Choreografin und Tänzerin Ceren Oran eine 7 Stunden durchgehende Performance, die im öffentlichen Raum während des DANCE Festivals 2019 mit 16 Tänzer*innen Premiere feierte …. Certainly throwing the healthy in with the sick added to the hysteria. Who Is Frau Troffea? Thousands of people involuntarily gyrated, leapt, and hopped, sometimes for weeks with hardly a break to eat and sleep. Somewhere between 50 and 400 people took to dancing for days. Drums, fiddles, pipes, and horns were brought in along with healthy dancers to keep the party going. For several days. One theory suggests that victims suffered from ergot poisoning, known as St. Anthony’s fire in the Middle Ages. It seems the best answer researchers can come up with these days is mass hysteria. Sosyal ve politik duruşunun yanı sıra, Oran’ın amaçlarından biri, izleyicinin performansı izlemek üzere salona gelmesini beklemek yerine, modern dansı seyirciyle buluşturmak üzere kamusal alana getirmek. The production is supported by the Department of Arts and Culture of the City of Munich,  in collaboration with SEAD - Salzburg Experimental Academy of Dance and TANZBÜRO München. In 1518, People “danced themselves to death” for no obvious reason in Strasbourg, France. Her biri kendi duygusal ve fiziksel sınırlarını dürüstçe irdelerken, kendilerine has dönüşüm deneyimlerinde, kamusal alanla etkileşimle, yarattıkları hareketle izleyiciye dokunup, danslarıyla ilgili merak uyandırmayı ve dansın birleştirici gücünü ortaya koymayı hedefliyor! The production is supported by the Fonds Darstellende Künste funded by the Federal Government Commissioner for Culture and the Media By August it was clear: Strasbourg was in the midst of a dancing plague. “Frau Troffea Kimdir?”, toplumun günlük olarak,  protestonun, kutlamanın ya da herhangi bir şeyi ifade etmenin başka bir yolu olduğuna şahit olabileceği bir alanı ve gösteriyi, beden ve hareket üzerinden yeninden yaratıyor. بين العديد من الأفراد ، سيتشاركون في هدف واحد : التفاعل مع الفضاء العام من خلال رقصاتهم ومحاكاة مشاعر الجمهور / الشعب . Her feet were swollen but th… For hours. Frau Troffea seemed normal enough. How long can the dancers maintain the performative quality? This is how the Dancing Plague of Strasbourg started 500 years ago - an incident which caused the death of many people through exhaustion, heart attack, hunger and thirst. Different archives and sources provide varying statistics and reasons for this incident. Auch wenn „Who ist Frau Troffea?“ einer strukturierten Dramaturgie folgt, gleicht keine Performance der anderen. Plus que la pièce, ce que la pièce met en oeuvre et en lumière : un sens de l'espace partagé, des corps en échange constant, d'une joie du mouvement qui se propage. director Linda-Schiwa Klinkhammer choreographer Ceren Oran. Frau Troffea (so named in the source material) dances and dances. The dancers in her international and multi-ethnic team let their own stories and experiences flow into the performances. On the other hand, although “Who is Frau Troffea?” is not constructed to be an interactive performance, because of the contagious effect of dance, the performance doesn’t exclude the audience members who would like to join. The more personal the reason for why someone dances, the more power it has to emotionally touch the ones who are watching. Frau Troffea continued to dance, and dance, and dance, without rest, for six solid days. Who is Frau TROFFEA? Salonda yer aldığı için modern dans kısıtlı bir izleyici kitlesine ulaşabiliyor. In July 1518 a woman named Frau Troffea began dancing in the middle of the street. Ceren Oran glaubt, dass diese Aktion viel mehr als ein persönlicher Zusammenbruch war. The hysteria spread and by the end of the month, as many as 400 people were exhibiting the dancing psychosis akin to the woman who started it all. Despite her husband’s repeated pleasto stop, she continued dancing till she finally collapsed of exhaustion. Her dance marathon – 10 days, 7 hours each day at different venues – is fed by sequences of movement inspired by social, political, or personal matters and distributed among each other. Fuji XT2|16:9|4K|Fujifilm XF . Frau Troffea continued to dance, and dance, and dance, without rest, for six solid days. Abgesehen von ihren sozialen und politischen Statements, wollte Ceren Oran zeitgenössischen Tanz „unter die Menschen bringen“, und anstatt auf Bühnen zu warten, bis Zuschauer*innen in die Theater kommen, brachte Oran diese Performance in den öffentlichen Raum. Yedi Saatlik Performans: “Frau Troffea Kimdir? وستشمل هذه الدراما التي تستمر 11 يومًا أداءً متواضعًا مكثفًا من التعب بالإضافة إلى احتوائها على عروض مكثفة . A techno soundscape of electronic music instruments and via sound generators that lasts more than seven hours and functions without samplers or computers. (For more information, visit www.whoisfrautroffea.com). It affected the whole society during its time, but still after many years it continues to generate intrigue and curiosity. Projeye katılan dansçıların dans etmek için sahip oldukları motivasyonlarındaki çeşitlilik, “Frau Troffea Kimdir?”’in koreografisinin alt yapısını oluşturuyor. More recent research suspects the dancing mania was a reaction to uncertain times. va un paso más allá: la transmicion de emociones positivas y negativas  y el acto de observar durante largo tiempo llevara tanto a los bailarines como al publico a un estado de trance. Who is Frau Troffea? Eventually, she collapsed from exhaustion, but when she woke up her bizarre dance resumed. The team will be supplemented by students from SEAD - Salzburg Experimental Academy of Dance. It started with a tap of the toe, then a gentle sway of the hips. Die vorrangige Bewegungssprache ist zeitgenössischer Tanz, das Stück beinhaltet 7 Stunden individueller Muster, Gruppenchoreografien und Improvisationsstrukturen. منذ 500 سنة بدأت امرأة تدعى ب فراو تروفيا بالرقص في شوارع ستراسبورغ , لو أنها رقصت لدقائق أو لساعات محدودة لما أخذت حكايتها منحى يعطيها تلك الأهمية آن ذاك . Their interventions in everyday social life in the city borrow political protest movement motifs that have become iconic: the young woman Jan Rose Kasmir who stood in front of the National Guard holding a flower during the anti-Vietnam war demonstrations in 1967; the "tank man" who stood in front of a column of tanks on Tiananmen Square with two shopping bags in his hands; and the "standing man," whose picture from Taksim Square in 2013 went around the globe. Après cela elle s'évanouit et se reposa, mais au lieu de mettre un terme à cette folle danse, elle continua, pendant des jours, des semaines, des mois... Ainsi commença la Peste dansante de Strasbourg, il y a exactement 500 ans; un évènement qui causa de nombreuses morts, par épuisement, crise cardiaque, ianition et deshydratation. Apart from its social and political statements, the motivation for Oran to carry this performance into public spaces was to bring contemporary dance to the audience, instead of waiting on a stage for the audience to enter the theatre. Pourquoi dansons-nous? Vor 500 Jahren, im Jahr 1518, begann eine Frau – namens Frau Troffea – in den Straßen von Straßburg zu tanzen. Up until the present day one still is puzzled about the causes. Bearbeitet im April 20202: Eine der größten Pandemien der Geschichte erfahrend. It was just another July day when Frau Troffea began to dance a jive in the streets of Strasbourg. full series. – A Durational Dance Performance for Public Spaces, Inspiration:  The Dancing Plague of Strasbourg​, 500 Years ago today, a woman, called Frau Troffea started to dance in the Streets of Strasbourg.

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