See how sad she is, see her tears? Swados, Harvey. La Strada study guide contains a biography of director Federico Fellini, literature essays, quiz questions, major themes, characters, and a full summary and analysis. La Strada Film Summary & Analysis Federico Fellini This Study Guide consists of approximately 19 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of La Strada. She is now a passenger on the rough road of life. [43] Unhappy with the actor who initially dubbed Zampanò, Fellini remembered being impressed by the work done by Arnoldo Foà in dubbing the Toshiro Mifune character in the Italian version of Akira Kurosawa's Rashomon, and was able to secure Foà's services at the very last moment. A team from the Universities of Oxford Brookes, Bristol and Exeter has been collecting audience memories of cinemagoing in 1950s Italy. [15] Giulietta Masina had been the inspiration for the entire project, so Fellini was determined never to accept an alternative to her. [58] The disturbance left Fellini pale and shaken and Masina in tears. Asked which film of the 1950s made them cry, Italian respondents remember the tears shed in response to the closing scene of the film. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so he could complete principal photography. These notes were contributed by members of the GradeSaver community. La Strada won more than fifty international awards, including an Oscar in 1957 for Best Foreign Language Film, the first recipient in that category. The temperature had dropped to -5 °C, often resulting in no heat or hot water, necessitating more delays and forcing the cast and crew to sleep fully dressed and wear hats to keep warm. He does part of the acting for the actors. "[15] Not long afterwards, Quinn spent the evening with Roberto Rossellini and Ingrid Bergman, and after dinner they watched Fellini's 1953 Italian comedy-drama I Vitelloni. But he is by the sea, and the fact that he is crying shows that he has dissolved his barriers against sensitivity and feeling. For instance, a line of fifteen words equals an enumeration of up to thirty. "La Strada: Cinematographic Intersections". Finally Zampanò abandons her while she is taking a nap, leaving some clothes, money, and his trumpet. This was the film that, for international audiences, marked a break with the incredibly influential Italian Neorealism that had produced films like Vittorio De Sica’s Bicycle Thieves (1948). [20] Upon being introduced to Basehart by Cortese, Fellini invited the actor to lunch, at which he was offered the role of Il Matto. Gelsomina experiences many difficult trials during the movie, but she always keeps smiling. The actor merely counts till thirty: 1-2-3-4-5-6-7. Zampano represents left-brain dominance which has lost touch with Gelsemina's world. [56], Critical reaction in the UK and the US was equally mixed, with disparaging reviews appearing in Films in Review ("the quagmire of cheap melodrama"),[69] Sight & Sound ("a director striving to be a poet when he is not")[70] and The Times of London ("realism crowing on a dung-hill. "),[71] while more favorable assessments were provided by Newsweek ("novel and arguable")[72] and Saturday Review ("With La Strada Fellini takes his place as the true successor to Rossellini and De Sica."). This also reminds me of the saying that "all roads lead to Rome" (especially since it's an Italian film.) "[77] Anthony Quinn found working for Fellini invaluable: "He drove me mercilessly, making me do scene after scene over and over again until he got what he wanted. will review the submission and either publish your submission or provide feedback. One is that the strong man is the breaker of the chains as he symbolizes the break from the poverty of the sea shore and the excitement of becoming an artist. English words for strada include road, street, way, path and avenue. SOAS Festival of Ideas: Decolonising Knowledge, Aston Talks: Engineering 21st century logistics systems: a cultural perspective - online public lecture by Professor Ed Sweeney, Children's Half-Term Lecture (online): Cats, Bats, and Pointed Hats - Halloween and the history of witchcraft, Who to trust on Covid-19? The film tells the story of Gelsomina, a simple-minded young woman (Giulietta Masina) bought from her mother by Zampanò (Anthony Quinn), a brutish strongman who takes her with him on the road. Film buffs will have noted the recent death of the great scholar of Italian cinema, Peter Bondanella, whose work on Federico Fellini helped to define him as “one of cinema’s greatest auteurs”. [20] When Masina introduced Quinn to her husband, the actor was disconcerted by Fellini's insistence that the director had found his Zampanò, later remembering: "I thought he was a little bit crazy, and I told him I wasn't interested in the picture, but he kept hounding me for days. It is a symbol for Zampano's strength. It was released in Italy on 22 September 1954, and in the United States on 16 July 1956.

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