After that, you work with the composer: you watch it - well, this is how I tend to do it - silently first and stop at points where you feel there should be music, or there should be something to either help the story along or to give it bit of a background to help tell the story from a sonic point of view. I don't know if she won it? I think, like I said earlier, it's the two sides of the same coin; if you learn to tell the story both as an actor, and a director... and a producer, then you are still telling a story. It’s fantastic. In their way of doing things, they can’t see the wood for the trees with the other and are starting to fail to see the positives. I felt way more confident as well this time. Angel Wings by Zorro4 (Pixabay License / Pixabay), [Note: The moustache, being a very obvious/drastic change in Endeavour's appearance, seems to have hijacked 99% of popular discussion about season 6. Shaun explained he didn't want to "milk" his time on the show. After working all day every day - after what I think was 20 weeks or 30 weeks, or however long it takes to make Endeavour - I felt a bit exhausted... not exhausted, exactly, but I just felt, what would be the next thing, what would be challenging? The producer and production designer did a great job there as we stripped all the walls in the first episode, in the second one they’re all bare and in the third one, they’re wallpapered. Fame - though an ill-fitting word in Evans' case - at work, in the way that won't damage a state of not being seen. So your mind is occupied with something else. Are you embracing pairing acting and directing? [laughs] It's also something to do with Fancy's death, and with becoming a person that you weren't before. Again, you do that as part of a collaboration with people working on the shop floor, the DP and camera operator and the actors. Skype Bradford Zone, Send us your stories to tvdesk@bradfordzone.co.uk, Send us your pics to yourpics@bradfordzone.co.uk, Endeavour | Interview with Shaun Evans (Endeavour Morse), Endeavour | Interview with Roger Allam (Fred Thursday), Endeavour | Foreward by Writer and Creator, Russell Lewis, Riviera | Interview with Synnove Macody Lund (Alex Harewood), Riviera | Interview with Gabriel Corrado (Victor Alsina-Surez), Father Brown | Interview with Emer Kenny (Bunty), Riviera | Interview with Franco Masini (Cesar Alsina-Suarez), Father Brown | Interview with Jack Deam (Inspector Mallory), Gym fined over £10,000 for breaches during COVID legislation. Masterpiece PBS: Shaun Evans On Endeavour Season 8, 26 August 2020 Masterpiece PBS: Shaun Evans Interview - Endeavour, Evolving, 24 August 2020 Masterpiece PBS: Shaun Evans reveals 4 surprising things about Endeavour season 7, 6 August 2020 The Herald: Shaun Evans on the return of Endeavour, 8 February 2020 Weekend Magazine: Morse's Code, 6 February 2020 I don't need to create so much as an actor, I don't need to do... oh, I'm not being very clear. [laughs] I would like my work to get attention, and of course there's some degree of yourself that you have to put out there in order to facilitate that, to make it happen, but I'm not interested in letting people know about what I had for breakfast. Each of us is a cluster of information bits projected into the outside world. Photo of Shaun Evans by © Natalia Kutsepova and Nina Kharchenko (2018). The connection is terrible, the hum and the crackle a memory of rotary phones and heavy receivers, of analog, slow time. Joe Wong, the composer behind Netflix's Russian Doll and Master of None, articulates personal grief and grappling with artistic fulfillment into a sweeping debut album. I am always open to collaborating with the director that comes in. Endeavour is back for a seventh series. Just given the fact that the story is called "Endeavour" and I play, obviously, Endeavour, you have a strong sense - or, at least, I have a strong sense - of what's important in each of the stories and what's important in each of the scenes, where I've come from, where I'm going to, just really on a narrative level.
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