But, you’d never do that anyway! Click me to make me bigger! Unfortunately, the person who takes it too far typically gets fired. TRANSPORTATION GUIDELINES: A driver can be a best friend on location sets. Preparing for shooting is the very last thing done and the process should be kept as short as possible. If the First Assistant Director, (who incidentally is considered the primary safety officer on set), sees that something is going wrong with the choreography of the shot, he is empowered to yell “CUT.” This goes also for the Stunt Coordinator. WAIT PATIENTLY: Hurry up and wait has been the slogan on set for over 100 years. Some are chatty fun places where everyone is fooling around and no one seems to mind. Of course, that does not mean that you should not touch equipment if someone needs a helping hand, on the contrary. ( Log Out /  Actors rightly have a special position on the set. Actors should take time to know who is over him or her and be ready to say, “yes.”. Actors rightly have a special position on the set. The last thing an actor needs is to unintentionally get drawn into a lawsuit because he or she said the wrong thing to the press. Moving from the pre-production process to the intense activity of production can be a confusing experience for fimmakers. Respect the chain of command. Always double check. This sometimes results in jagged edges or chipping floorboard edges, which are great for twisting ankles. One of the most visible and obvious errors in film set etiquette is the actor who “cuts” himself or herself in the middle of a take. UNSAFE CONDITIONS: Sets are normally built for temporary use and easy tear down. Pieces of equipment are not common property, they are managed on set by various departments. Like the... 2. By the time you’re done with this, you should have no problem walking around on set like one of the pros. In the meantime, why not watch our, Something went wrong. QUIET ON SET: The set is a professional work zone that costs thousands of dollars an hour to operate. It's important to note that this also applies during shooting - nothing is more annoying than if the director is already satisfied with a take, but something has gone wrong in your field of responsibility which necessitates the take having to be done again. The only exceptions on set: the announcements of the assistant director or location manager. Why not? Equipment can be expensive and fragile and sometimes requires extra care when being used. Last Looks – Last chance to check actors and equipment before filming begins. We'll get in touch with you shortly. There are some “common sense” faux-pas which should never happen. Be willing to hurry when asked and patient when waiting. Actors should remember to hand in vouchers at the end of each day. They work hard to get actors to locations on time and get little credit for it. No. Follow these rules and with a little experience, you can have fun doing your job, blend with your environment, and you will soon be appreciated as the consummate professional. They talk about facial tissue, not a Kleenex®. I’ve been behind the scenes many times and I can tell you that the productive sets are ones that embrace the above common forms of etiquette. Although it may not seem like it at first glance, the actor's job is one of the toughest on the set. When is the best moment to announce the correction? Always ask questions. The operator used to have great power back then because he was at the nexus of the filmmaking process. Only experience makes it possible for a mixer to know the difference. Mind your manners. Before the first rehearsal, find a position where you can follow the action and make your corrections after each take and stay there until the end of the shoot. And you no longer have to worry because right now I’m ready to give you an A to Z lesson on best practices for film set etiquette. Taking time to be polite and thanking the drivers will make a world of difference on the days that something goes wrong. The only people talking should be those with lines or the production hierarchy/department heads. The producer trumps everyone, unless there are multiple producers. ANYONE who sees something dangerous unfolding on set is obligated to speak up. (The Exception) On-Set Etiquette for Young Actors If you’re new to professional acting, the rules and expectations on set may at first seem overwhelming. Let people know what your role is, even if you’re an understudy. ", the director can end up arriving to the scene of activity last and a member of the cast may already have their attention somewhere else. The ABC’s of Actor Set Etiquette. if someone’s eye-line has been crossed. Keep cell phones off except in appointed areas during appointed times. XEROX® IS TRADEMARKED: Professional actors talk about photocopies, not a Xerox®. ZONE IN TO ROLE: Be in character and in the moment. VEXING NOT ALLOWED: Some actors try to over shadow or up stage others, but soon learn what its like to be fired. One of the most visible errors in film set etiquette is an actor that “cuts”... 3. PRACTICE INTERNALLY: Just as baseball players mentally review their next steps based on strategic conditions, an actor needs to mentally review his or her next actions based on how the scene is being directed. But knowing when things are acceptable is a very fine line. Don’t ever allow a future work opportunity to sabotage a current project. ( Log Out /  Always be respectful. JOKES AND PRANKS: There is always a certain level of joking that happens to keep the set atmosphere conducive to play. Now I don’t want anyone to get the idea that everyone needs to keep tight lipped on set. If every employee questioned every announcement, the progress on set would be virtually zero. There are some “common sense” faux-pas which should never happen. 8 Things to Consider When Choosing a Camera, Zacuto - 401 W Ontario St. Chicago, IL 60654    312-863-3456    800-294-FILM    sales@zacuto.com, Zacuto Every single position on a film set carries a high degree of responsibility and is essential for the film's production and the people on set often work longer than they are legally required to, including interns. The last thing the producer wants is a liability on set that could cost the show. Actors stay in front of the camera. People running around will generate unrest that will not lead to an overall time gain. (The Exception) If you are the high dollar actor upon who’s star-power the movie is financed…I suppose you can say just about anything you want at any time! Actors must be patient and learn to keep themselves mentally active when on hold for long periods. ISSUES TO AVOID: Actors should not argue about what is not in his or her control. No, no, no, no, NO! Report any size of danger or potential issues immediately. NETWORK DURING FREE TIME: Sets are great places to network, especially since about 75% of all jobs come by word of mouth from someone on set. The process of preparing to shoot follows a clear structure. Wrap – The word used to signal the end of the workday. USA Now the exception to this rule is for reasons of safety on set. Like the Art Department Assistant looking over the director’s shoulder and saying that he didn’t think an actor gave a very realistic performance. Always. The tasks on the set are clearly distributed and everyone is responsible for their own workload. But even then I think: “LOOK OUT,” would be more appropriate than: “CUT.”. Would you be so kind to send as an email to, Please enter your email address for us to be able to get back to you or email us to. Make it clear immediately that something is wrong. This means accepting announcements as binding. Money issues can sour any positive atmosphere on set and are off limits. Change ), You are commenting using your Twitter account. Hustle and bustle is therefore not only counterproductive, it can even be dangerous. Using a smock for lunchtime may be the only solution if actors can’t change before a meal. Being a consummate professional requires the actor to trust that the Director, AD’s or PA’s are watching and will eventually yank the problem actor from the set. This rule tends to slide during lunch break, unless the star or director is in a meeting. YACKING IS TABOO: The set is no place for a sick person. Talent – Nickname for all actors on set. General Film Set Etiquette: Drug and alcohol use is frowned upon on set. Always try your hardest. CHECK IN AND OUT: Always check in and out with the proper person at any set or location. A Script Supervisor, sometimes referred to as Continuity, is responsible for whether the shots will cut together without any mismatches. Film sets are designed to make sure that the scene transition scenarios that arise during a production can be processed flexibly and efficiently - whether it's a mass scene with 500 extras, a technically complicated car stunt or an emotional love scene. So that means employees should rush to the actors, the set or the equipment and bring their work area back to where it was at the start, right? If your craft requires it, you must speak up at the end of the take if something was not satisfactory with your department’s end of the take. When an actor prepares for an emotionally complex scene, you should not disturb their concentration, and when they perform a sensitive love scene, you should not be standing nearby munching your cheese roll. GIVING NOTES IS FOOLISH: This is another sure way to get fired. There is a lot to do after each rehearsal or recording. Keeping an energy bar near by might help give that extra needed boost after hours of hard work, especially if the day goes into overtime. If an actor needs to step away to a restroom, he or she needs to let the proper person know. Regardless of your own position, it is important to respect that passion and commitment. It used to be that the camera-operator could say it, but that was back when the operator was the only person who ever saw the shot before dailies. This understanding amongst everyone working on the production sets the tone on the set and gives the director the space they need to focus on their creative work. On a movie set, there are more ways to be wrong than right. Do you want to view this page in English? The actor might not know the directors plan and could have screwed up a valuable take. As a general rule, behave as politely and respectfully as you would in your normal life on set. OBSERVE CHARACTERS: Paying attention to what other actors are doing with their characters helps to tweak one’s character to the same style and reality that the director is creating.

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