[15] He claims it was Puttnam who suggested Ringo Starr play a support role, got Richard Wakeman to do the music and suggested Russell go anamorphic. "[29], Lisztomania currently holds a 43% rating on Rotten Tomatoes based on seven reviews. Ken Russell’s Crazy Picture Show | Die Teufel | Akt, der so genannte Walkürenritt, aus der Oper Die Walküre von Richard Wagner zu nennen.   |  (Polish), русский For an enhanced browsing experience, get the IMDb app on your smartphone or tablet. "[22] Kevin Thomas of the Los Angeles Times called it "a buoyant, consistently coherent and imaginative film that is alternately—and sometimes simultaneously—outrageous, hilarious and poignant. The entire [Western] cultural history is the material with which Russell designs his montage, indifferent whether it is high or trivial culture. "[20] Richard Eder of The New York Times wrote that for the first half-hour the film is "manic and extremely funny. Wagner then reveals himself to Liszt as a vampire and threatens to steal his music so that Wagner's Viking can live. He then proceeds to suck Liszt's blood and compose on the piano. At the concert, Wagner is put off by Liszt's crowd-pleasing showmanship at the expense of serious musicianship, which includes adding the melody of Chopsticks to his Rienzi variation. Sara Kestelman. (French), català (Norwegian), Nederlands Overall, very difficult to rate but is unlike many other films seen before, personally not entirely sure whether I liked or disliked it, most likely to be neither. (Spanish), norsk 103 min Somit herrscht am Ende Friede auf Erden. As Liszt is leaving, Cosima consoles him that she will pray to God every day so that Liszt will meet the Devil and be able to sell his soul to him. In the final episode, Liszt and the women decide to fly down to Earth in a spaceship to destroy Wagner-Hitler who has now ravaged Berlin in a fiery machine-gun frenzy. Most of the acting is really not very good, Paul Nicholas is pretty awful, Ringo Starr has a naturalness but doesn't have much to do and Roger Daltry is rather dull. Lisztomania ist ein im Jahr 1975 veröffentlichter Kinofilm des Regisseurs Ken Russell. Liszt dringt in Wagners Festung ein, die direkt neben einem jüdischen Ghetto liegt, und beobachtet, wie Wagner dort eine Gruppe blonder und blauäugiger Kinder indoktriniert, die künftige Herrenrasse zu sein. Jedoch ist der Film weniger biografisch und historisch korrekt angelegt, sondern zeigt die Aspekte der Hauptperson in zahlreichen überzeichneten und metaphorisch angelegten Szenen. LISZTOMANIA ist unter den Russell-Filmen der meistverkannte, zugleich komplexeste und bis heute irritierendste. [5], In October 1974 Russell announced Roger Daltrey would play Liszt. "A Lewd Liszt To a Rock Beat". "[12] Russell said he was most intrigued by Liszt's relationship with Wagner but Puttnam "was more at home at a pop concert than in the concert hall. B. Beatlemania) für Stimmungen extremer Begeisterung für seine Sache verwendet. Liszt uses von Bülow to proposition potentially wealthy females in the audience during his performance. [30], Russell later said "he got off on the wrong foot" with the film which "called for a bigger budget than we had so the film doesn't work as well as I wanted it to. "[8], In December 1974 Mayfair announced they signed a deal to distribute five films made by Russell and Goodtimes started with one on Liszt. At the conclusion of the song, Cosima marches the audience, composed entirely of children, out with a Nazi salute as they chant that they "will be the master race". This film was first to use the new Dolby Stereo sound system. Eine – allerdings höchst kontrollierte – Mélange kulturellen Wissens umzirkelt die Themen des Films, gibt ihnen Ausdruck und anschauliche Fülle.“. SEE DETAILS. Trapped, Liszt observes as Cosima leads the Wagner-Hitler to gun down the town's Jews, after which she kills Liszt by stabbing a needle through the heart of a voodoo doll made in his likeness. The fascination of Lisztomania is the method. Trailers from Hell Composer and pianist Franz Liszt (Roger Daltrey) attempts to overcome his hedonistic life-style while repeatedly being drawn back into it by the many women in his life and fellow composer Richard Wagner (Paul Nicholas). Der Höllentrip | "[13], Press materials claimed Russell's script was 57 pages. The Pope then explains that Wagner has seduced Cosima as his wife and has begun to lead a devilish cult organised around his music. Dennoch sind hier folgende Darstellungen hervorzuheben: Hans C. Blumenberg rezensierte den Film für Die Zeit und fasste seinen Standpunkt wie folgt zusammen: „[…] bei Russell, dem mit „Mahler“ noch ein Künstlerporträt von bizarrer Präzision gelungen war, langt es nurmehr zu einer ermüdenden Addition beliebiger Kabarettnummem, die auch durch flotte Anachronismen, pseudokritische Analogien und verwegene Besetzungsideen (Ringo Starr als Papst) kaum an Überzeugungskraft gewinnen. "[18], Sandy Lieberson of Goodtimes said Russell "went off the deep end" forcing Lieberson and Puttnam to put their own money into the film. Das Milliarden-Dollar-Gehirn | Für Aufsehen und Kontroversen sorgte zum einen die Besetzung. Template:Use British English Template:Use dmy dates Lisztomania is a 1975 film by Ken Russell about the nineteenth century composer Franz Liszt. All articles © their respective owners. With Roger Daltrey, Sara Kestelman, Paul Nicholas, Ringo Starr. (Dutch), čeština (Dutch), čeština Born Today Most Popular Celebs Most Popular Celebs Celebrity News. Lisztomania ist ein im Jahr 1975 veröffentlichter Kinofilm des Regisseurs Ken Russell. Daltrey and Russell wrote the lyrics for the soundtrack, and Daltrey provided vocals. Lady Chatterley | Der wiederauferstandene Wagner ist mit einer Mischung aus einer E-Gitarre und einem Maschinengewehr bewaffnet und richtet gemeinsam mit Cosima und den indoktrinierten Jugendlichen unter den Juden im Ghetto ein Massaker an, dem auch Hans zum Opfer fällt. Then it relapses into a noisy bit of pretentiousness in the manner of its predecessor, Tommy full of flashing lights, satin spacesuits, chrome-lucite furniture and mock agony. […] In „Lisztomania“ berauscht sich ein maßlos eitler Berserker an den Trümmern seines Talents, verliert sich in einer Fülle von höchst disparaten Einfallen, die doch nur in schriller Monotonie verenden.“, In der TV Spielfilm wurde der Film mit dem „Daumen nach oben“ bewertet und als „schrilles, explosives Meisterwerk“ bezeichnet.[4].

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