OK I will come clean.. this actual pack of film is out of my fridge and is the original Kodak Ektachrome 100 (4×5 sheet film). Even if it acts much like its old, outdated predecessors, people love this film, if not for what it is, then for what it represents. Ektachrome doesn’t hesitate to blow highlights and crush shadows if exposure is a half stop off. In my ignorance, I’d always try and buy films with the longest use-by date, but this was governed by what was on the shelves of dealers. I’m excited to get shooting now! Now they just need it in 120 and 4×5!! Big promises on social media to #keepfilmalive, the flashy promotional campaign, the buzzworded crowdfunding, and the whole load of nothing that happens afterwards. Excellent article. When not onstage, you can find him roaming around Southern California shooting film and humming a tune. Glad I kept it in for ya. When shot well, as we’ve already explored, it’s meant to give bright whites, moderately enhanced colours with a neutral balance, low contrast tone scale, and extremely fine grain. Ektachrome comes in 35mm and 120. I do still think the “professional” tag comes with different implications today, but t’d be great to find out if the “Professional” tag is a holdover from the days when it did refer to the aging process. It ensures us that slide film, still an integral part of film photography, is preserved for the foreseeable future. I really hope they bring this to medium format. Shooters used to pushing C41 or recovering highlights and shadows on badly exposed shots in post processing, as well as lovers of high-contrast lighting conditions, will be in for a rude awakening. Ektachrome 100/Nikon F4/Copenhagen, Denmark/August 2019 Patrick Kercheville. I’d never heard of that that aging practice before. It made me laugh. Post was not sent - check your email addresses! The colors are deep, rich, and vivid, but never cartoon-esque as some C41 color films can be. “This is a film that excels under controlled lighting, or with a slower, more careful style of shooting. I will share the Kodak Ektachrome 100 sample photos as soon as I get chance to use the film and have it lab developed. If anything, it tends toward being more on the drab side, maybe due to the power contrast than Fuji, or maybe due to my -0.5 on my metering (hey, it gives me exactly what I want with velvia). I have absolute faith in ektachrome 100. Post was not sent - check your email addresses! The film was then released to dealers as the “Professional” version of the film, and who would have the relevant cooler facilities in-store. I’ve always used e100vs or ektachrome Lumiere in 100 speed. The new Ektachrome is a daylight-balanced color transparency film, like the old Ektachrome. E100 is all I want to shoot these days! View all posts by matthewosbornephotography. As far as printing Ektachrome, I still miss Cibachrome. Colour neg film, especially the top Fujfilm versions, had got so much better that they sufficed for my needs in 35mm. (I missed Kodak Ektachrome the first time around sadly as I got into colour film photography after production had already ceased). You can submit a maximum of 10 photos per time. That line turned out to be a deeper cut than I had anticipated. Max file size per image is 10MB. Unlike the artificial accelerated ageing processes to assess the life of digital ink prints, the procedure was simply allowing the film to mature naturally in storage. It’s known for its beautiful color and like most slide film, has super fine grain, rich saturated color, and is great for daylight shooting. If you are an Ektachrome film fan you will recognice the different box design. Today, slide film is kept alive by the most hardcore of hardcore film shooters who love it for its high-risk, high-reward nature. I mean in clothing, on cars, and in street signs, and other otherwise incidental components of a scene. Skin tones of any flavor are perfect, true-to-life. The former, when done well, is like looking at a well-exposed slide while the latter, when done poorly, looks like Fuji Superia 400 baked in a car for a few months. That title still belongs to Fuji Provia 100F. I dunno if I agree with your praise of Provia. Is there a difference? What are the advantages of this troublesome film? Also the film seems to handle low light very well. The neighborhood labs that developed everyone’s film naturally abandoned the E-6 process as fast as demand would allow. Ektachrome E100 is an E-6 process slide film, the most endangered of all film species. Kodak Ektachrome 100. I managed a camera shop in the Seventies while working my way through school. The ageing process allowed the emulsion to reach its optimal state, very necessary for professional studios and photographers who needed the most accurate, and repeatable, colour balance.

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