The farmer is also making a stand for personal dignity and control of his own life, even if it means ultimately standing alone in the unfinished frame of his project, resisting the combined stop-work pressures of the law, his neighbours and his well-meaning but baffled grown kids. [3], The international distribution rights were licensed by Cinema Management Group. An elderly couple fight against local authorities in rural New Brunswick to build their final home. She went through Hollywood as a very successful young actress and that is not an easy thing when you are a woman—an attractive and talented one who is spirited and who has ideas. in the sense that someone like George Bush or Prince Philip is? When I got back, I called him and for four hours, I harangued him to put back everything that he had taken out in his rewrite, which he did and that is why the film is the way that it is. Dave Kominek,
The movie is an octogenarian romance: Morrison builds the house to give his wife, Irene, a room with a view as she succumbs to dementia. I don't tend to mimic or ape the characters that I play. To that end, Cromwell has been making a series of personal appearances with the film to help get the word out.
Some information in it may no longer be current. The image of the fiercely self-reliant Craig raging against the dying of the light may verge on cliché. I don't like to categorize because we are all human beings—it is up to the audience to decide if George W. Bush is a bad guy or not. “Still Mine” is rated PG-13 (Parents strongly cautioned). Some of the more memorable films that you have done over the years are ones in which the execution of the material was arguably more important than the material itself and which presumably required a certain leap of faith on your part that something like a silent movie or a project that had you working opposite a mechanical pig would succeed. I tried not to do that in this film. It has partial nudity. I said "I don't have to be loud—this is my house and my son is drunk. Absolutely, but not my first nude scene. The characters treat Irene’s progressive memory loss as a series of roadblocks to be navigated; many of the film’s best scenes feature them lying beside each other in bed, reminiscing about a tryst they had in a moving car, or joking about potential affairs from decades earlier. “Still Mine,” like Michael Haneke’s “Amour” and Sarah Polley’s “Away From Her,” is an old-age love story told with minimal sentimentality. Hollywood likes to beat on you in one way or another—sometimes it is slight and sometimes not so slight but it is always hurtful. Possessed of an equally long face and body, Cromwell provides ample compositional opportunities that McGowan takes full advantage of, making Morrison's imposing physical presence an eloquent articulation of the theme of weathered and leathery resistance. While Still Mine pays close attention to matters like the fading family farm, increasingly intrusive bureaucratic regulations and the heartbreaking ordeal of losing a mate to irreversibly worsening dementia, its main spectacle is Cromwell's Craig Morrison, a man built like a scarecrow and usually standing alone like one, and whose default mode of ornery sarcasm keeps him at a prickly distance from everyone around. “Still Mine” doesn’t carry us to the moment when the Morrisons’ luck runs out. The film’s vision of a long-married couple keeping each other going with mutual love and support, and a shared resistance to outside interference, is more vital than a thousand movies populated by hot, squirming teenagers.
Welcome to The Globe and Mail’s comment community. “I don’t think so,” she replies cheerfully. As someone who has been a fairly outspoken and committed activist over the years, did the political aspect of the film have any bearing on your decision to participate in it? After a recent screening in the suburbs of Chicago, Cromwell took part in an audience Q&A (which I had the privilege of moderating) that saw him expounding on subjects ranging from the film and his performance to the Bush family to memories of his first on-screen nude scene. Still Mine was released in 2013 on Friday, July 12, 2013 (Limited release). ... (Still Mine) Photos (4) See All . Written and directed by Michael McGowan and based on a true story, the film stars James Cromwell as Craig Morrison, a farmer in rural St. Martins, New Brunswick who battles a government bureaucrat (Jonathan Potts) for the right to build a new house for his ailing wife Irene (Geneviève Bujold) when their existing home no lo… Joy Salary On The View, drop of a hat and nobody cares anymore. Sturdy, stubborn, practical: These are three qualities that define 87-year-old Craig Morrison (James Cromwell), but they also apply to the house he's building for his Alzheimer's-afflicted wife Irene (Geneviève Bujold), as well as the movie he's building it in. With Prince Philip, I worked very hard on "The Queen" to explicate him for the audience. All anybody really wants is for Craig to give in and have proper, legal plans drawn up, but for the old man it's a question of trust: What kind of an idiot would build a house that wouldn't stand? The balance of this picture meant that she also stepped back. As an actor, what do you feel your responsibilities are in regards to playing a real person, especially in the case of a role like this one where the person in question is not a public figure
The regulations imposed by the building commission are put there for a reason—to protect the unsuspecting from the unscrupulous who build houses with green lumber and who do not have the right trusses and joists. Here comes this little Canadian film, supposedly with no story at all and which I read very badly. Subscribe now for news and insights from the Brain Integration Institute. There were 13 other movies released on the same date, including Grown Ups 2, Pacific Rim and The Hunt. Yes, there are some lines but the same light that shone through in those early films was there in her face.
When you read the script for "Still Mine," what was it about it that grabbed you and gave you the faith that it could work as well as it does? The rules are the rules. He pushed me into a relationship with my son that I very well understood and I was then pretty much playing me. As Craig and Irene, Cromwell and Bujold deliver a pair of superb performances."[9].
She went to Hollywood and became a big movie star and I had a big crush on her. [7], The New York Times reviewer Stephen Holden wrote that the film has a "spiky integrity. Also, when you give authority a little power to regulate, they like to take a lot more, as we are seeing in our culture, and there comes a point where a conscientious person has to say "No.". This article was published more than 7 years ago. It is not human and it is not caring. The … As Craig and Irene, Cromwell and Bujold deliver a pair of superb performances."[9]. When I was in college, Genevieve's first film came out with her then-husband as the director and she was a vision. They have always been our heroes and in that respect, I personally think that Craig is a hero. Welcome to The Globe and Mail’s comment community. With this story, I basically know the story—I am a father with grown children, I have built something even though it was wretched and I have a relationship in which I understand tangentially what it is like to lose one's temper and to feel loss and to resist authority.
Revolutionary Left Radio Che, Sturdy, stubborn, practical: These are three qualities that define 87-year-old Craig Morrison (James Cromwell), but they also apply to the house … Was this your first nude love scene in a movie with a leading lady? I very much admire who he is and how much he knows and felt that he was very much justified in his defense of his wife and the whole family, which was being misunderstood for what they were doing.
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