He’s less of a terrifying creature of the night and more of a charismatic demon in the sheets, so to speak. Speckling, lines through the frame, and occasional scratches are leftover, though minor in appearance. The film also features interesting locations and performances from all involved, including Laurence Olivier, who at the time was quite ill. Donald Pleasance offers himself up as a mostly ineffective character, scarfing down food at inappropriate moments. Dracula AKA Dracula '79 (Blu-ray) (1979) Throughout history he has filled the hearts of men with terror, and the hearts of women with desire. Highly recommended. This presentation also comes with the vintage “When in Hollywood, visit Universal Studios” card at the end, which is nice to see. Each disc also comes with its own set of extras, some newly-produced for this set: Most of the new material is found on the first disc, which includes a slew of new interviews by Michael Felsher and Constantine Nasr. W.D. Dracula.” 1979’s Dracula is an interesting film because it’s one of the first, at least in the mainstream world, to explore the character as a figure of eroticism and romance. Hugh Harlow discusses his work setting up locations and dealing with the cast and crew, specifically Laurence Olivier. The Revamping of Dracula is a vintage documentary about the making of the film, which interviews Frank Langella, John Badham, Walter Mirisch, and W.D. Dracula is a 1979 British-American dark romantic horror film directed by John Badham.The film starred Frank Langella in the title role as well as Laurence Olivier, Donald Pleasence and Kate Nelligan.. Scream Factory has seen fit to repair that, making this Blu-ray release a major feather in their cap, as well as a long overdue wrong that has been properly righted. Kate Nelligan is memorable as Dracula’s potential bride to be, while Jan Francis has little to do until her reveal as the undead Mina (which is arguably the most effective scene in the film, at least from a horror fan’s perspective). He has seen empires rise and fall. Dialogue exchanges are clear and discernable, while sound effects have plenty of weight to them. Even with its flaws, there’s plenty to enjoy about Dracula besides Frank Langella’s performance. As such, the film hasn’t been seen with its full theatrical color palette in nearly three decades. Ghost Ship: Collector’s Edition (Blu-ray Review), Back to the Future: The Ultimate Trilogy (4K UHD Review), Flintstones, The: The Complete Series (Blu-ray Review), World Is Full of Secrets, The (Blu-ray Review), Today on The Bits – Arrow’s January slate includes Oldboy, Dracula (1979): Collector’s Edition (Blu-ray Review). John Williams’ score is perfectly realized, settling in nicely with the other elements without feeling overabundant. John Badham’s introduction to the film is the same on both discs, basically asking the viewer to make up their own mind about which version they prefer.

This release also sports reversible artwork with new art on one side and the original theatrical art on the other. Although the film isn’t overtly sexual, one can’t deny the presence of Frank Langella, who only played Dracula once on film, but managed to make a memorable mark upon the legacy of the character. 1979’s Dracula is an interesting film because it’s one of the first, at least in the mainstream world, to explore the character as a figure of eroticism and romance. He possesses the wisdom of the ages. The story, though taking minor u-turns as the story often does from one interpretation to another, follows the original tale as we know it in a relatively straightforward fashion. Colin Jamison discusses the hairstyles he did for the actors.

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Peter Robb-King speaks about his work on the film, including the make-up effects he took part in. Anthony Waye speaks about the troubles while filming, including the surviving of a storm while shooting scenes on the ship at the beginning of the film. While making it, there were split camps of people who wanted it to be different things, but that conflict doesn’t always wind up on screen here. It’s a different take, one that other filmmakers (as well as authors of books and comics) would later dip into as well. On the second disc is an audio commentary by Constantine Nasr, which provides plenty of illuminating information in a mostly off-the-cuff manner, which is a little different from his usual commentaries, while also featuring a fun cameo from one of his fellow commentators for a quick laugh.
Richter. Jim Alloway talks about shooting the film and the difficulties that lay therein. On the other hand, Dracula is also a somewhat confused film. Richter speaks about his adaptation of the material and his retrospective feelings on it. Disc One presents the desaturated version where colors struggle, but manage to come through occasionally, such as the lovemaking scene between Dracula and Lucy. It’s also interesting that we never see Dracula with his fangs extended, not unlike Bela Lugosi. It’s a fine sound experience, overall. Detail is improved over its desaturized counterpart, as is the obvious aspect of its existence: the color palette. ©1997-2020 The Digital Bits, Inc. All rights reserved. The film’s audio is presented in English 2.0 DTS-HD with optional subtitles in English SDH on both versions. It’s richer with warmer skin tones and bolder uses of red, blue, and purple, among other hues. 1979’s Dracula isn’t a perfect film, but it’s hypnotic and fascinating, and it’s a shame that newer generations haven’t seen it the way it was originally intended. Despite its shortcomings, detail manages to poke through and everything is sharp and well-defined when given the chance. Three radio spots are also included, but the film’s TV spots are missing in action. “He has walked through centuries—untouched by time.

Scream Factory rectifies that with a new Collector’s Edition Blu-ray release of the film, presenting both versions of the film on separate discs.

Grain is sometimes so thin that it can barely be seen and blacks levels are often crushed. Disc Two presents the full color version, which is sourced from a new 4K scan of what’s touted as “original elements.” The opening 20 minutes or so of the film are much softer than everything afterwards, while the final minutes feature much more obvious leftover damage, particularly black and white speckling, as well as sporadic instability.

Earlier in 2019, Universal re-released their Blu-ray of Dracula (which was previously released in 2014). We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to. Everything is mixed together well, offering some nice atmospherics and no leftover distortion, hiss, crackle, or dropouts. The stereo is quite aggressive, particularly in the opening moments aboard the ship at sea, and later when the sound of horse-drawn carriages pans across the sound field. Throughout eternity, no man has provoked such terrible fear, and such haunting desire... Dracula.”. The bloodshed is minimal outside of the opening scene when the crew of Dracula’s approaching ship is attacked. While the character is being portrayed in a much different way that relies less on horror and more on sex appeal, the more obligatory elements surrounding him seem to clash a bit. His vintage audio commentary goes into detail about the making of the film while he watches it by himself, pausing a bit too often. The animated still gallery features 155 images of on-set photos, behind-the-scenes pictures, promotional stills, posters, lobby cards, and promotional materials.
In his interview, he goes over his impressions of Frank Langella from the original play and how he utilized him for the film. That version contained a desaturized version of the film, a process that was carried out in the early 1990s as a retroactive stylistic choice on the part of director John Badham.

It’s also brighter with blacks that aren’t quite as crushed comparatively, though some are inherent to the source.

There’s also mild destabilization from time to time, which is obviously more noticeable in static shots. Outside of that, it tends to lean more towards black and white.

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