American IV: The Man Comes Around werd in 2002 uitgebracht door Johnny Cash. Cash, J., & Carr, P. (1997). "Down There By The Train" was a spiritual or gospel style song of redemption by Tom Waits. Het album won de 2003 Album of the Year Award. [7], American Recordings received widespread acclaim from critics. [1] In the Chicago Tribune, Greg Kot wrote that Cash's singing was effectively dramatic throughout "the quagmire of humor and bloodshed, pathos and treachery evoked by these songs",[9] while Los Angeles Times critic Randy Lewis said they "peer into the dark corners of the American soul" on what was a "milestone work" for Cash. San Francisco, CA: HarperSanFrancisco. Rubin vroeg voor dat nummer ook medewerking aan John Frusciante om mee te werken aan het nummer, en ook Fiona Apple (Bridge over Troubled Water), Nick Cave (I'm So Lonesome I Could Cry), en Don Henley (Desperado) zijn op het album te horen. [1] Rolling Stone later placed the record at number 366 on the magazine's list of the 500 Greatest Albums of All Time[19] and Country Music Television (CMT) ranked it number 27 on the network's list of the top 40 greatest country albums in its 2006 list. Het is het laatste album voor zijn dood. In his autobiography, Cash wrote about his frustration with Columbia Records in the 1970s and 1980s, due in part to creative disagreements, such as recording his vocals separately from the backing musicians. He was shy and quiet but a wise, wise man. American Recordings is the 81st album by the country singer Johnny Cash. That I Own, Matrix / Runout (Variant 1: Side A (etched)): 440063337-1 Side 1, Matrix / Runout (Variant 1: Side B (etched)): 440063337-1 Side 2, Matrix / Runout (Variant 1: Side C (etched)): 440063338-1 Side 1, Matrix / Runout (Variant 1: Side D (etched)): 440063338-1 Side 2, Matrix / Runout (Variant 2: Side A (etched)): 44006333 7 1 Side 1 ⓦ, Matrix / Runout (Variant 2: Side B (etched)): 44006333 7 1 ╷.k Side 2 ⓦ, Matrix / Runout (Variant 2: Side C (etched)): 4400633381 • Side 1 ╷.k ⓦ, Matrix / Runout (Variant 2: Side D (etched)): 440063338 1 - Side 2 ⏌.k ⓦ, Matrix / Runout (Variant 3: Side A (etched)): 440 063 337-IA, Matrix / Runout (Variant 3: Side B (etched)): 440 063 337-IB, Matrix / Runout (Variant 3: Side C (etched)): 440 063 338-IA, Matrix / Runout (Variant 3: Side D (etched)): 440 063 338-IB, Other (Printed, Inner Sleeve 1): (440 063 336-1) DISC 1: 440 063 337-1, Other (Printed, Inner Sleeve 2): (440 063 336-1) DISC 2: 440 063 338-1. "[15] Mark Cooper from Mojo called it a "breathtaking blend of the confessional and the self-mythologising". [1] Q magazine deemed it the year's most sincere and ambitious record,[16] while NME found it "uplifting and life affirming because the message is taught through adversity, ill luck and fighting for survival". :) I am pretty sure that there is lots of records sold as original that are 'fake' bootleg versions. First release of this Album. [11] In a rave review in Rolling Stone, Anthony DeCurtis hailed it as one of Cash's greatest albums because of his self-possessed, "biblically intense" take on traditional folk songs and Rubin's no-frills production: "American Recordings is at once monumental and viscerally intimate, fiercely true to the legend of Johnny Cash and entirely contemporary. Bitter Tears: Ballads of the American Indian, Carryin' On with Johnny Cash & June Carter, America: A 200-Year Salute in Story and Song, Johnny Cash Sings the Songs That Made Him Famous, All Aboard the Blue Train with Johnny Cash, 16 Biggest Hits: Johnny Cash & June Carter Cash, Man in Black: His Own Story in His Own Words, Johnny Cash! [12], In a negative review for The Village Voice, Robert Christgau felt American Recordings had been overhyped by antisocial sycophants and lacked the vital shuffle beat of Cash's best music, citing "Delia's Gone" and perhaps "Thirteen" as "the only time words and voice combine with the undeniable seniority his claque claims to hear everywhere". [10] At the 1995 Grammy Awards, it won Cash a Grammy Award for Best Contemporary Folk Album. [1] Suffering from health problems and recovering from a relapse of his drug addiction, Cash was initially skeptical. American IV: The Man Comes Around werd in 2002 uitgebracht door Johnny Cash. It was released on April 26, 1994 by American Recordings, after it had changed its name from Def American. Rubin told the singer: "I would like you to do whatever feels right for you",[1] and Cash decided to record the first solo album of his career without any accompanying musicians. The two men soon bonded, however, particularly when Rubin promised Cash a high level of creative control. Does anyone really know what does this original - NOT THE bootleg version has written/scratched on the deadwax area? [2], Cash was approached by producer Rick Rubin and offered a contract with Rubin's American Recordings label, better known for rap and heavy metal than for country music. Het is het laatste album voor zijn dood. De collectie bevat baanbrekende debuut albums van The Black Crowes & Danzig, Johnny Cash's bejubelde American Recordings serie, een gloednieuwe Best Of van The Jayhawks en negen titels van de heavy metal gigant Slayer! "Sitting and talking and playing music… that was when we got to build up a friendship," Rubin recalled. For the record label which released the album, see. It was released on April 26, 1994[1] by American Recordings, after it had changed its name from Def American. Universal Music & Video Distribution, Corp. Buy Vinyl, 1001 Albums You Must Hear Before You Die Rubin had seen Cash perform at Bob Dylan's 30th anniversary concert in late 1992, and felt Cash was still a vital artist who had been unfairly written off by the music industry. His first producer, Sam Phillips, had determined in the 1950s that Cash's voice was best suited to a stripped-down style and a three or four-piece ensemble (Cash on vocals and guitar, backed with another guitarist and upright bass, and sometimes drums). [18] In other year-end lists, it was ranked 36th by Select, 23rd by NME, 19th by Rockdelux, 17th by Les Inrockuptibles, 15th by The Face, 5th by the Los Angeles Times, 4th by Mojo, and 2nd by OOR. [17] In retrospect, AllMusic's Mark Deming wrote that the album "became a critical sensation and a commercial success, though it was overrated in some quarters simply because it reminded audiences that one of America's greatest musical talents was still capable of making compelling music, something he had never stopped doing even if no one bothered to listen. Het album bevat voornamelijk covers, maar met de hulp van de producer, Rick Rubin , zette Cash een aantal nummers (bijvoorbeeld Personal Jesus ) … In 2002, Johnny not only seventy (!) Subsequent producers deviated from this style with more ornate backing; Cash disagreed with Jack Clement in the 1960s when the producer tried to give Cash's songs a fashionable "twangy" feel and to add frills like orchestral string sections and barbershop quartet -style backup singers. De videoclip van Hurt werd genomineerd in zeven categorieën op de 2003 MTV Video Music Awards en won de prijs voor Beste Cinematografie; ook won de videoclip in 2004 een Grammy Award voor de Best Short Form Video. He didn't speak much but, if you drew him out, he seemed to know everything. "Thirteen" was a more ominous composition by Glenn Danzig, whose heavy metal band had earlier worked with Rubin; Danzig wrote the song specifically for Cash in less than twenty minutes.[6]. [1], "Tennessee Stud" and "The Man Who Couldn't Cry" were recorded live at the Viper Room, a Sunset Strip, Los Angeles nightclub owned at the time by Johnny Depp. The album cover was photographed while Cash was visiting Australia, at Werribee near Melbourne. This was a return to Cash's earliest recording style. Cash: The autobiography (p. 408). The collaboration went so well that there with Unchained (1996) and Solitary Man (2000) follow-up albums. Two songs on the album had been recorded by Cash previously: "Delia's Gone", for the 1962 album The Sound of Johnny Cash and "Oh, Bury Me Not", for 1965's Johnny Cash Sings the Ballads of the True West. "The Beast in Me" was written and originally recorded by Cash's former stepson-in-law Nick Lowe. [5] Rubin commissioned new songs from several musicians, two of which ended up on American Recordings. [4] Cash's successful collaboration with Rick Rubin was in part due to Rubin seeking a minimalist sound for his songs. years old, but also appeared in the four part series American Recordings: The Man Comes Around. Met deze worp worden enkele van de meest succesvolle American artiesten weer beschikbaar als re-issue. "[8], At the end of 1994, American Recordings was voted the seventh best album of the year in the Pazz & Jop, an annual poll of American critics nationwide. Johnny Cash Sings the Ballads of the True West, Grammy Award for Best Contemporary Folk Album, "Album Review : A Walk on the Dark Side (****) : JOHNNY CASH; "American Recordings" ( American )", "Johnny Cash: American Recordings Album Review", "British album certifications – Johnyn Cash – American recordings", "American album certifications – Johnyn Cash – American recordings", Recording Industry Association of America.

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